By: Alison Peters
Seasoned producer Dwayne Omarr and his youngest son, King Titus, are breaking new ground in a field that is frequently dominated by strong themes and vile lyrics. They are demonstrating that music can be both commercially successful and morally motivated by promoting a new generation of R&B and pop that is lively, family-friendly, and devoid of the usual allusions to drugs, sex, or violence.
Known as the “Crown Prince of Electro Funk,” Omarr initially gained recognition in the 1980s with Critique Records, fusing spiritual undertones with catchy bass rhythms. This unusual combination was showcased in his 1985 album, Holy Rock, which established him as a production and songwriting innovator. Omarr has produced and collaborated with a diverse range of musicians over the years, continually experimenting while remaining committed to his conviction that music should inspire its audience.
Several decades later, he still produces and teaches his son in the studio. King Titus (born King Titus Robinson) has already established a strong resume at just 24 years old. Titus, a singer-songwriter, rapper, dancer, and model, was signed to ASCAP at the age of eleven and has collaborated with renowned musicians. He adds a modern touch to his father’s long-standing skill by fusing rhythmic vigor with mellow, ethereal tunes that appeal to audiences of all ages.
King was always surrounded by music. He watched his father create songs from scratch, play a variety of instruments, and experiment with sound in home studios. Titus’s own creative instincts were impacted by that early experience, which instilled in him a profound sense of melody, rhythm, and production. He now applies these teachings to their joint work creating pop and R&B music.
Their work together is an intersection of two eras rather than merely a passing of the baton. Working with his son, according to Omarr, allows him to remain loyal to his artistic background while maintaining a connection with newer audiences. “We want to write songs that uplift the soul and unite families in a time when the airwaves are overflowing with noise,” he stated.
The father-son team has already laid out a comprehensive schedule of releases under Omarr’s independent label, Set It Off Records, which supports musicians who are dedicated to creating music that is both inventive and positive. These initiatives demonstrate their shared vision:
- Dwayne Omarr’s solo project, “Slaved the Composer”, is scheduled for Thanksgiving 2025 and combines Omarr’s electro-funk heritage with introspective R&B melodies and modern production.
- “Exotic” by King Titus is a polished, dance floor-ready song with a sophisticated rhythm and evocative atmosphere.
- “These Gurls” (Sons of the Prophet feat. King Titus) – A powerful, upbeat song that celebrates self-assurance and community that is now gaining popularity on streaming services.
Their music retains its depth despite being based on clear, upbeat themes. Expect dramatic compositions, complex production, and catchy hooks that stick with you long after the song is over. According to Omarr, the pair consciously steers clear of fads that rely on shock value or graphic material, instead opting for upbeat, universal, and enjoyable music.
This relationship has been a creative and personal experience for Titus. “I connect with people and stay true to myself through music,” he stated. “This is even more impactful when I do it with my dad. Together, we are creating something lasting, rather than just creating music.
Omarr and Titus are at the forefront of a curative music revolution, where classic grooves collide with new voices and familial bonds inspire innovation, as momentum builds around “These Gurls” and further releases are scheduled through the holidays. It serves as a reminder that music has the power to inspire, unite, and uplift people of all ages, in addition to amusing.